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Lincoln in the Bardo
Cover of Lincoln in the Bardo
Lincoln in the Bardo
A Novel
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***WINNER OF THE 2018 AUDIE AWARD FOR AUDIOBOOK OF THE YEAR***The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham...
***WINNER OF THE 2018 AUDIE AWARD FOR AUDIOBOOK OF THE YEAR***The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham...
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  • ***WINNER OF THE 2018 AUDIE AWARD FOR AUDIOBOOK OF THE YEAR***

    The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

    February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy's body.
    From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie's soul.

    Lincoln in the Bardo
    is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
    The 166-person full cast features award-winning actors and musicians, as well as a number of Saunders' family, friends, and members of his publishing team, including, in order of their appearance:

    Nick Offerman as HANS VOLLMAN
    David Sedaris as ROGER BEVINS III
    Carrie Brownstein as ISABELLE PERKINS
    George Saunders as THE REVEREND EVERLY THOMAS
    Miranda July as MRS. ELIZABETH CRAWFORD
    Lena Dunham as ELISE TRAYNOR
    Ben Stiller as JACK MANDERS
    Julianne Moore as JANE ELLIS
    Susan Sarandon as MRS. ABIGAIL BLASS
    Bradley Whitford as LT. CECIL STONE
    Bill Hader as EDDIE BARON
    Megan Mullally as BETSY BARON
    Rainn Wilson as PERCIVAL "DASH" COLLIER
    Jeff Tweedy as CAPTAIN WILLIAM PRINCE
    Kat Dennings as MISS TAMARA DOOLITTLE
    Jeffrey Tambor as PROFESSOR EDMUND BLOOMER
    Mike O'Brien as LAWRENCE T. DECROIX
    Keegan-Michael Key as ELSON FARWELL
    Don Cheadle as THOMAS HAVENS
    and
    Patrick Wilson as STANLEY "PERFESSER" LIPPERT
    with
    Kirby Heyborne as WILLIE LINCOLN,
    Mary Karr as MRS. ROSE MILLAND,
    and Cassandra Campbell as Your Narrator
    Praise for the audiobook
    "Lincoln in the Bardo" sets a new standard for cast recordings in its structure, in its performances, and in its boldness. Now, let's see who answers the challenge." – Chicago Tribune

    "Like the novel, the audiobook breaks new ground in what can be accomplished through a story. It helps that there's not a single bad note in the cast of a whopping 166 people. It's also the rare phenomenon of an audiobook being a completely different experience compared to the novel. Even if you've read the novel, the audiobook is...
 

Awards-

Excerpts-

  • From the cover
    XXI.

    Mouth at the worm's ear, Father said:

    We have loved each other well, dear Willie, but now, for reasons we cannot understand, that bond has been broken. But our bond can never be broken. As long as I live, you will always be with me, child.

    Then let out a sob

    Dear Father crying That was hard to see And no matter how I patted & kissed & made to console, it did no

    You were a joy, he said. Please know that. Know that you were a joy. To us. Every minute, every season, you were a—you did a good job. A good job of being a pleasure to know.

    Saying all this to the worm! How I wished him to say it to me And to feel his eyes on me So I thought, all right, by Jim, I will get him to see me And in I went It was no bother at all Say, it felt all right Like I somewhat belonged in

    In there, held so tight, I was now partly also in Father

    And could know exactly what he was

    Could feel the way his long legs lay How it is to have a beard Taste coffee in the mouth and, though not thinking in words exactly, knew that the feel of him in my arms has done me good. It has. Is this wrong? Unholy? No, no, he is mine, he is ours, and therefore I must be, in that sense, a god in this; where he is concerned I may decide what is best. And I believe this has done me good. I remember him. Again. Who he was. I had forgotten some- what already. But here: his exact proportions, his suit smelling of him still, his forelock between my fingers, the heft of him familiar from when he would fall asleep in the parlor and I would carry him up to—

    It has done me good.


    I believe it has.


    It is secret. A bit of secret weakness, that shores me up; in shoring me up, it makes it more likely that I shall do my duty in other matters; it hastens the end of this period of weakness; it harms no one; therefore, it is not wrong, and I shall take away from here this resolve: I may return as often as I like, telling no one, accepting whatever help it may bring me, until it helps me no more.


    Then Father touched his head to mine.

    Dear boy, he said, I will come again. That is a promise.

    willie lincoln

About the Author-

  • George Saunders is the author of eight books, including the story collections Pastoralia and Tenth of December, which was a finalist for the National Book Award. He has received fellowships from the Lannan Foundation, the American Academy of Arts and Letters, and the Guggenheim Foundation. In 2006 he was awarded a MacArthur Fellowship. In 2013 he was awarded the PEN/Malamud Award for Excellence in Short Fiction and was included in Time's list of the one hundred most influential people in the world. He teaches in the creative writing program at Syracuse University.

Reviews-

  • Publisher's Weekly

    Starred review from August 8, 2016
    Saunders’s (Tenth of December) mesmerizing historical novel is also a moving ghost story. A Dantesque tour through a Georgetown cemetery teeming with spirits, the book takes place on a February night in 1862, when Abraham Lincoln visits the grave of his recently interred 11-year-old son, Willie. The distraught Lincoln’s nocturnal visit has a “vivifying effect” on the graveyard’s spectral denizens, a gallery of grotesques who have chosen to loiter “in the Bardo”—a Tibetan term for a liminal state—rather than face final judgment. Among this community, which is still riven by racial and class divisions, are Roger Bevins III, who slashed his wrists after being spurned by a lover, and Hans Vollman, a “wooden-toothed forty-six-year-old printer” struck in the head by a falling beam shortly after marrying his young wife. As irritable, chatty, and bored in their purgatory as Beckett characters, Bevins and Vollman devote themselves to saving Willie from their fate: “The young ones,” Bevins explains, “are not meant to tarry.” Periodically interrupting the graveyard action are slyly arranged assemblies of historical accounts of the Lincoln era. These excerpts and Lincoln’s anguished musings compose a collage-like portrait of a wartime president burdened by private and public grief, mourning his son’s death as staggering battlefield reports test his (and the nation’s) resolve. Saunders’s enlivening imagination runs wild in detailing the ghosts’ bizarre manifestations, but melancholy is the novel’s dominant tone. Two sad strains, the spirits’ stubborn, nostalgic attachment to the world of the living and Lincoln’s monumental sorrow, make up a haunting American ballad that will inspire increased devotion among Saunders’s admirers.

  • AudioFile Magazine Like an Impressionist painting that comes into focus as we soften our gaze, this first novel by the award-winning short story writer is, not surprisingly, a unique art form. "Bardo" refers to the Tibetan plane between death and rebirth; the novel, told from the multiple points of view of a cemetery community, is reminiscent of Wilder's OUR TOWN and the colorful epitaphs of Masters's SPOON RIVER ANTHOLOGY--only darker. Voices chime in with stories of lives and deaths, regrets and grudges as Abraham Lincoln mourns his son Willie, the newest member of the tribe. While it may take a few moments to acclimate to the quirks and syncopated rhythms of this unconventional novel, there's an undeniable appeal in hearing this impressive cast of narrators. By keeping our listening "gaze" soft, remarkable human forms come into focus. L.B.F. Winner of AudioFile Earphones Award � AudioFile 2017, Portland, Maine
  • Publisher's Weekly

    Starred review from January 1, 2018
    It takes a full six minutes at the end of this unforgettable audio production to read the cast list of 166 actors: comedian Nick Offerman, author David Sedaris, Hollywood A-listers Carrie Brownstein, Don Cheadle, Lena Dunham, Bill Hader, Miranda July, Julianne Moore, Ben Stiller, Susan Sarandon, and Jeffrey Tambor, and others. The main challenge of Saunders’s Civil War–era novel is fragmentation. In addition to the plethora of characters to keep straight, the novel features several challenging elements of postmodern fiction: punctuationless sentences, a constantly shifting perspective, and a mélange of factual snippets and boldly fabricated sources. The effect, however, is a wonder brought to life in these performances. Sedaris steals the show as Mr. Bevins, a wry and lonely spirit who tarries in the titular bardo, mourning the lover who left him. Two other performances deserve special mention: Kirby Heyborne, a veteran audiobook narrator, more than holds his own in this star-studded cast, breaking listeners’ hearts with his quiet and sensitive portrayal of Mr. Lincoln’s recently deceased boy Willie. And one of the book’s best performances belongs to Saunders himself, who plays the Reverend Thomas, a timid man of the cloth who is haunted by sin—but what sin, however, he doesn’t know. If fiction lovers listen to just one audiobook in 2017—or ever—it should be this one. A Random House hardcover.

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    Penguin Random House Audio Publishing Group
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