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Field Notes on Love
Cover of Field Notes on Love
Field Notes on Love
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"Utterly romantic." —Jenny Han, NYT bestselling author of To All the Boys I've Loved BeforeThe bestselling author of Windfall and The Statistical Probability of Love at First Sight returns with a...
"Utterly romantic." —Jenny Han, NYT bestselling author of To All the Boys I've Loved BeforeThe bestselling author of Windfall and The Statistical Probability of Love at First Sight returns with a...
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  • "Utterly romantic." —Jenny Han, NYT bestselling author of To All the Boys I've Loved Before

    The bestselling author of Windfall and The Statistical Probability of Love at First Sight returns with a meet-cute romance about Hugo and Mae, two teens who are thrown together on a cross-country train trip that will teach them about love, each other, and the futures they can build for themselves.

    It's the perfect idea for a romantic week together: traveling across America by train.
    But then Hugo's girlfriend dumps him. Her parting gift: the tickets for their long-planned last-hurrah-before-uni trip. Only, it's been booked under her name. Nontransferable, no exceptions.
    Mae is still reeling from being rejected from USC's film school. When she stumbles across Hugo's ad for a replacement Margaret Campbell (her full name!), she's certain it's exactly the adventure she needs to shake off her disappointment and jump-start her next film.
    A cross-country train trip with a complete stranger might not seem like the best idea. But to Mae and Hugo, both eager to escape their regular lives, it makes perfect sense. What starts as a convenient arrangement soon turns into something more. But when life outside the train catches up to them, can they find a way to keep their feelings for each other from getting derailed?
    "One of the loveliest, most touching romances of 2019 thus far that gets at the nature of something deeply buried in all of our hearts." —Entertainment Weekly
    "This warm, romantic, never overly sentimental story is told with humor and heart....A deeply satisfying read about a life-changing journey full of poignant moments." —Kirkus, starred review

Excerpts-

  • From the cover Hugo

    The shock of it takes a few minutes to absorb. During that time, Hugo sits with his head bent, his fingers laced behind his neck, trying to process the fact that Margaret Campbell—­his girlfriend of nearly three years—­is breaking up with him.

    "You know I'll always love you," she says, then adds, "in a way."

    Hugo winces at this. But Margaret seems determined to forge ahead.

    "The thing is," she says, and he lifts his head, interested to find out what—­precisely—­it is, this thing that's apparently happening. She gazes back at him with something like sympathy. "You can't stay with someone only out of inertia, right?"

    It's clear the correct answer here is "Right." But Hugo can't bring himself to say it. He just continues to stare at her, wishing his brain weren't quite so muddled.

    "I know you must feel the same way," she continues. "Things have been off between us for ages now. It's obvious that it's not working—­"

    "Is it?" Hugo asks, and Margaret gives him a weary look. But he's not trying to be cheeky. It's just that none of this seems particularly obvious to him, and his face prickles with warmth as he wonders how he managed to get it all so wrong.

    "Hugo. Come on. It's been hard enough when we're right across the road from each other. We must be barking mad to think we can do this when I'm all the way in California and you're—­"

    She stops abruptly, and they both blink at each other.

    "Here," he says eventually, his voice flat.

    Margaret sighs. "See, that's just it. Maybe if you'd stop acting like getting a scholarship to a perfectly good uni is the worst thing that's ever happened to anyone in the history of—­"

    "I'm not."

    "You are."

    "I'm—­"

    "Hugo," she says, interrupting him. "You've been in terrible form all summer. I'm not the only one who's noticed. I realize this isn't what you wanted, but at some point you just have to . . . well, get on with it, I suppose."

    He scratches at his knee, unable to look at her. She's right, and they both know it, but the fact of this makes him want to crawl under the bed to avoid the rest of the conversation.

    "Listen, I get it," she says, playing with the end of her blond ponytail. "If things were different, this wouldn't have been your first choice."

    This is only half-­true. Hugo certainly wouldn't have minded trying for Oxford or Cambridge or St. Andrews, all of which would've been options had his A levels been the only consideration. But the University of Surrey is highly regarded too. It's more that he never had a choice in the matter, that his path was set out for him long ago, and something about that has always made him feel like an animal at the zoo, penned in and pacing and a bit claustrophobic.

    "But if things were different," Margaret continues, "you wouldn't have been offered the scholarship at all."

    She says this as if it were nothing, an incidental detail, and not the very thing Hugo has been torturing himself over for years now. Because he didn't get a scholarship to the University of Surrey for being a brilliant essayist (which he is) or a maths genius (which he's not). He didn't get it for his skills as a pianist (though he's decent) or his ability on the football pitch (he's completely rubbish). It's not the result of any particular skill or talent or accomplishment.

    No, Hugo got the scholarship—­as did his five siblings—­simply for being born.

    The minute they arrived in the world—­one after another, Hugo bringing up the...

About the Author-

  • Jennifer E. Smith is the author of seven novels for young adults, including The Statistical Probability of Love at First Sight. She earned a master's degree in creative writing from the University of St. Andrews in Scotland, and her work has been translated into thirty-three languages. She lives in New York City. Follow her on Twitter at @JenESmith or visit her at jenniferesmith.com.

Reviews-

  • AudioFile Magazine Two narrators deliver alternating chapters, portraying characters who are linked by an odd situation and by their determination to understand their futures. British narrator Anthony Mark Barrow depicts Hugo, one of a set of sextuplets. His clipped speech hints at the emotional depth beneath his words. When his girlfriend, Margaret Campbell, breaks up with him, leaving him with a nonredeemable cross-country train ticket in her name, Hugo advertises for a new companion with the same name. A girl named Mae applies. She's seeking adventure after being rejected by USC's film school. Karissa Vacker expresses Mae's artistic dreaminess and tendency to shut out those around her. Both narrators express the characters' mutual attraction as they develop a connection, and, then, deeper feelings. S.W. � AudioFile 2019, Portland, Maine

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